Members of Texas Authors, Inc., are welcome to post on our blog for other fellow members, or for the general public.
Each blog post will be approved by the website administrator and must not contain promotion of ones book. This is meant as an educational posting program.
by Porter Anderson - Originally published on December 3, 2018 in Publishing Perspective
In their filing supporting the students’ lawsuit in Detroit on appeal, PEN’s attorneys write that ‘One clear effect of the lack of access to literacy education is the inability to critically analyze “fake news.”‘
A “friend of the court” amicus brief was filed at the end of last month (November 26) by PEN America, urging the Sixth Circuit Court of Appeals to recognize Americans’ constitutional right of access to literacy.
PEN America filed the brief in the case of Gary B v. Snyder, in which students at Detroit Public Schools have brought suit against the state of Michigan for a failure to provide what they assert are basic educational standards necessary to ensure that these children have a functional level of literacy.
In the suit, the students describe the conditions of their education as including unsanitary and dangerous situations, an absence of appropriate textbooks or other reading material, and overcrowded classrooms. As a result, many of these students assert that they’re unable to read, write, or process written material at anything approaching grade level.
The United States District Court for the Eastern District of Michigan dismissed the students’ suit in June—as is covered by Stephen Sawchuk at Education Week. And the case now is on appeal before the federal Sixth Circuit.
In its brief, PEN’s staff writes, “Depriving these children—our children—of access to literacy is an unacceptable and immoral tragedy for them. It is also a tragedy for all of us that is and should be unconstitutional.”
The amicus brief also stresses the economic challenges involved, its text stating that people “who lack literacy are far more likely to be low wage workers or unemployed and to rely on public financial aid. Their inability to get by will be exacerbated as the economy continues to move away from low-skilled jobs.
PEN America refers to two of its original research reports—Missing from the Shelf: Book Challenges and the Lack of Diversity in Children’s Literature (covered here by Publishing Perspectives) and Faking News: Fraudulent News and the Fight for Truth—to argue for the essential role of literacy.
“Low literacy also affects health and health care literacy, creating inefficiencies in our health care system and increased dependence on Medicaid. And low literacy is highly correlated with incarceration and recidivism, including among juveniles. Recognizing that access to literacy is a fundamental constitutional right would help address each of these concerns.”
US literacy rates, the filing asserts, “have made little progress in the last few decades,” with the rate between 2012 and 2014 not showing significant improvement over where it was between 1994 and 1998.
“As an organization of writers and readers, we can proudly attest to how literacy is essential to meaningful social and political participation in our communities.”James Tager
The filing also draws a connection between literacy and the ability to recognize fake news, the PEN attorneys writing, “PEN America’s October 2017 report, Faking News: Fraudulent News and the Fight for Truth, details the alarming inability of many Americans to understand the difference between accurate reporting and fraudulent news or advertising, and the threat it poses to American democracy, which requires an informed and engaged electorate.
“False information presented as factual, with the intention to deceive, undermines our democracy and our way of life by obscuring the truth, increasing political polarization, sowing distrust, stymying public debate, hindering the development of evidence- and fact-driven public policy, increasing vulnerability to private and foreign interests, escalating panic and irrational behavior during emergency situations, creating a culture of cynicism and permitting elected officials to avoid accountability.”
In a prepared statement, James Tager, PEN’s deputy director of free expression research and policy, is quoted, saying, “The complete failure of the state of Michigan to ensure a basic standard of literacy for these students is not only an outrage, it is also unconstitutional.
“PEN America has championed the freedom to write and to read for almost 100 years, and we recognize that this freedom to read is inextricable from the right, firstly, of access to literacy.
“As an organization of writers and readers, we can proudly attest to how literacy is essential to meaningful social and political participation in our communities. With this brief, we’re urging the Sixth Circuit to do the right thing and to take this step toward recognizing the right of access to literacy.” PEN America—which has merged the former two PEN chapters in the United States—was founded in 1922 and today has more than 7,000 writers and their supporters as its membership. It’s the US chapter of the PEN International movement.
Many authors join Texas Authors & Indie Beacon and then abruptly leave as they are expecting to see quick results by us selling their books for them. This quick result concept also applies to when an author goes to a book festival. They expect to sell enough books to at least pay for their expenses. Both of these are short-sighted views on marketing books. Texas Authors & Indie Beacon is about the long-term goal of creating a career as an Authorpreneur. Authors are creative people and want to write stories that move people and sell great numbers of copies. To do this is expensive and many authors want to see a return for their investment (ROI) as quickly as possible. Those authors miss the bigger picture of long-term growth. Just like expecting to earn their money back at the book festival, they miss the fact that someone they may have met may be that one person who loves their book so much that they can’t stop talking about it. That one person could in fact be the person that makes the author famous.
Would you go into a job as a new employee and expect to be promoted to the boss’s job immediately? Would you expect to be earning the top wages immediately? No. If your job required training of some sort, you may have gone to college or spent years doing ‘on the job’ training to become great at what you do and to be able to earn the big bucks. It is exactly the same with being an Author.
While you may be able to crank out a manuscript in a few weeks, months or within a year’s time, this doesn’t mean that it will be an instant best seller. Writing that book in today’s world is only 10% of the work. The remainder of the work is still ahead of you and may take years to accomplish. It is this aspect of being an author that Texas Authors was created for.
It seems almost funny for me, of all people to be typing this, as I am one who is impatient and wants to see results quickly. I have learned over the past 7 years to be patient and to work hard to create an organization that will help authors to succeed. I still have a lot of work ahead of me, and I am more than eager to work hard at times, not at all times, but most. I am willing to continue to work 80-100 hours a week to build several organizations that give authors all the tools and possibilities to succeed if they too are willing to work at it.
I have seen many authors take their time and grow with the organization and continue to grow successfully with their books. Some have won awards over the years, some have seen nice increases in book sales and many have been inspired to become the best Authorpreneur they can be.
Texas Authors and I are always eager to hear of new ideas and concepts that will help our programs, events and opportunities to continue to grow and become stronger. I will test things to see if they work and if they don’t. I will share with the membership my thoughts about those items. I do not want the author to reinvent the wheel. I encourage each author to plan to be with us for more than one year, maybe several years so that as we continue to grow and learn new and exciting things in the publishing world, that it too will help you to grow stronger and better as an Authorpreneur.
Don’t fall for those schemes where someone has a person that sold a million copies of their books and now wants to share how you too can do the same. They just want your money, and yes, a million other people bought into that scheme and made that sales person rich. Remember, of the over 1 million authors in the USA, only 10% have sold more then 100,000 copies of their books. That doesn’t mean you can’t do it, but it does mean you have to work at it, just like they did.
Texas Authors continues to become a serious player in the world of publishing, and as a member, that benefits you in more ways then you may know. That’s part of the team work and family of authors that we have created over the years. We welcome you to not only be a part of it but be a family member for the long term. Families grow stronger together, not apart!
If you would like to be a family member of Texas Authors (for authors inside Texas), please click here: https://txauthors.com/index.php/what-we-offer
If you would like to be a family member of Indie Beacon (for authors outside of Texas), please click here: http://indiebeacon.com/index.php/pages/membership-types
By: Chuck Sambuchino | June 1, 2015
Because summer is a busy time for people traveling to writers’conferences nationwide, I am re-running this great 2014 post. Enjoy.
—————- I’ll admit: I was scared to death to live-pitch my book the first time, and I almost didn’t. I figured I was better with words on a page, so I’d just query the agents I met at conferences. I am a huge proponent of pitching your book in person to an agent, though, because it’s incredibly beneficial. Here are seven tips to keep in mind:
Tip #1: If you can get a pitch session with an agent/editor, do it!
Agents get tons of queries every single day, and a good 90% of them come from people who haven’t worked very hard to perfect their craft. Agents know that if you go to conferences, you’re likely in the 10% who have. If you go to a conference and pitch, you’re likely a top 10% writer who has a book close to being worthy of representation. It also gives both of you a chance to meet each other, and that’s invaluable.
(Do you need multiple literary agents if you write different genres?)
Tip #2: If you don’t register in time to schedule a pitch session, get on a waiting list.
Pitch sessions fill up quickly. People get nervous, though, or don’t get their book ready in time, so they cancel often. They shouldn’t, but they do, and this is good for anyone who is on the waiting list.
Tip #3: Figure out what you want to cover during your pitch session.
Don’t memorize a script, but do memorize the points you want to cover. Then you can talk like a normal person about it. And definitely practice talking like a normal person about it to everyone who will listen. The more comfortable you feel when talking about your book, the better your pitch session will go.
Tip #4: Go with other questions in mind.
I speed-talked my way through my first pitch session, because when I’m nervous I don’t ramble– I leave things out. So my pitch was done in less than 30 seconds. After asking me a few questions, the agent requested my full. Then she said, “Do you have any questions for me?” I hadn’t thought about questions for her! I sat there, feeling awkward, said, “Um…. Nope?” then shook her hand and left, with seven minutes of our meeting unused.
Don’t do what I did! Use that time to ask about their agenting style. Ask about the industry. Ask about the process. Ask about craft. Ask questions about your plot. Ask about anything writing related. Chat. See how your personalities mesh. Just don’t leave seven minutes early. You paid for that time– use it.
Tip #5: Don’t cancel your pitch if your book isn’t ready.
When you signed up for a pitch, it was five months before the conference and you thought your novel would be ready, but it isn’t. Don’t cancel your pitch! (Unless, of course, you’ve signed with an agent since then.) If your book isn’t ready, but you’re working hard to get it there, pitch it anyway. When you send a query to an agent and they request pages, you should get it to them within about 24 hours. When you pitch, you have a YEAR to get it to them. A year! So don’t stress that it isn’t completely ready– there’s plenty of time to make it shine. You are pitching to see if the story idea fits with them, if they think its a marketable enough idea that they want to see pages, and if it’s a story that they have the right contacts to sell.
(Can writers query multiple agents at the same agency?)
Tip #6: Your pitch session doesn’t have to be used to pitch.
That ten minutes you’ve signed up for is YOUR TIME. Use it wisely. You’ve bought not only that agent’s (or editor’s) time, but their expertise. And it is expertise in an area they are incredibly passionate about. They want to help you. If, for whatever reason, you don’t want to pitch your book, use that ten minutes in non-pitching ways. Some examples:
• Show them your query letter, and ask for a critique.
• Have the agent read the first pages of your manuscript until they would normally stop. Then talk about what stopped them.
• If you’re about to start a new novel and are wondering which of your ideas are most marketable, pitch them to the agent, and ask which they think would be best to focus on.
Tip #7: Don’t be nervous. Really.
The most important thing: remember that they are just people. It may feel like they’re rock stars, but they’re actually completely normal. And because they are, they just might be a little nervous, too. It helps to remember that when you’re sitting across a table from them.
So the next time you get an opportunity to pitch to an agent or editor, make sure you seize it!